When you read Hidden Letters, the book is going to leave a mark. It’s going to hurt down deep and leave you thinking about things long after you’ve finished the book. After receiving the book, I admit to approaching the book warily. The subject matter is brutal, and it’s devastating to anyone who’s a parent.

First, a little history on the book. The letters that comprise the human narrative within the pages were discovered in Amsterdam in 1997. They were written by an eighteen year old Dutch Jew named Philip “Flip” Slier. He was sent to a Dutch labor camp in 1942. When first sent there, Slier believed he was going to be treated humanely, though restricted. He didn’t know the horror that awaited him, or that he would soon be dead.

At the time Slier first went to the work camps, letters shipped regularly between the families and the restricted men. As I read the letters, I was stunned by the naïve manner that Slier exhibited. He honestly thought he was only going to be there for a short time, and that his experiences there would be nothing more than what he would endure during some summer camp.

As a father of five, I know how innocent kids can be. They think they know so much, but they’re blind to so many things. They often don’t know they’re in over their heads until it’s much too late.

And that’s what happened with Slier.

I felt somewhat guilty while reading his letters, almost voyeuristic into a world of pain and innocence. The letters are inane and even cheerful. At times Slier obviously felt he was on some grand adventure. At other times I could see that he was putting on a front for his parents, acting brave while he was scared to death, or at least mightily confused by what was going on around him.

That human element, and that innocence, is what is going to haunt me about the book. Slier also took a camera with him. He took several pictures and sent them back home to his parents and friends, and those people managed to hang onto them throughout the blackest days of World War II. I saw his face, and I saw how much of a kid he still was. He aged decades in months, and he finally got killed.

That’s one side of the story, but the authors added a tremendous amount of history materials to further the reader’s understanding of what was going on in this area at this time. More pictures and maps fill the book. On one hand, Hidden Letters is a short journal of tumultuous times in a young man’s life, but on the other hand the book is a great historical record. I love history, and I equate it with the story of people rather than names and dates. But Philip Slier’s story truly brings home the fact that history is made up of people more than dates or events.

Hidden Letters is going to satisfy the armchair historian’s perusal of the time period, and will give some sense of people and what was going on to genealogists that have discovered they’ve got family members that were in this camps at the same time. For either of those groups, I’m sure the book would be a beneficial addition.

The parents saved those letters all those years. I can’t imagine what it must have been like to pull them out every so often and read the last words of their lost son.

Joe Hill kicked off his comic-writing career with IDW Publishing with an imaginative and compelling story. Locke & Key flew off the shelves in comics stories, required another printing, and was snapped up almost immediately by movie production companies.

For those who don’t know yet, Joe Hill is one of Stephen King’s sons. Joe wanted to become known as a horror writer in his own right rather than hanging onto his famous dad’s coattails, and Joe has succeeded in a lot of ways. His first novel, Heart-Shaped Box garnered a lot of literary attention as well as readers. His collection, 20th Century Ghosts, became well-known in short order.

Locke & Key is going to be at least a six-issue comic series, though Joe promises he’s got plots that would take the series out to nearly 70 issues if he gets to write them. The story’s focus is on the Locke family, which went through the horrible tragedy of losing there father, Rendell Locke, to psychotic students he once taught.

Issue #2 picks up the family’s story after they’ve moved to Lovecraft, Massachusetts. And doesn’t that name summon all kinds of wicked demons immediately to mind? As it turns out, Keyhouse, where the family moved, has got all kinds of dangerous secrets lurking within it.

I love Joe’s easy storytelling ability. He makes everything look simple as he tells the story through dialogue between the characters as well as Bode’s first-person narration. Bode Locke is in grade school and Joe portrays his voice convincingly throughout. Joe maintains the eye and focus of a child almost effortlessly, filled with excitement, the need to be the center of attention, and the disappointment and irritability that he displays when that doesn’t happen.

Joe also writes Bode intelligently, showing how he’s smarter than the monster he discovers in the wellhouse. But he also has fun with Bode, showing how Bode carries on while he’s bored, such as putting the mop bucket on his head while talking to the woman in the bottom of the well. Of course, the inherent danger of walking on the edge of the well that seems to miss Bode screams in the face of the reader. I found myself tensing up, waiting for Bode to inevitably fall into the well and meet his doom.

Gabriel Rodriguiz’s artwork is stupendous this time around again. His energy and understanding of the characters is on every page, and he works hard to play with different angles so readers aren’t looking at the same kind of picture or view each time. The environment is interesting, spooky, and foreboding all at once, and I love it. You can actually see how the movie should look in these pages.

Joe’s first page of the new comic is a riot. It’s a page taken from Bode’s homework, and it retells everything the family has been through up to this point. His mom believes the part about him becoming a ghost when he goes through one of the house’s doors is just a fabrication. We know better because we saw this happen to Bode in the last issue. In case you forgot, we see Bode in ghost-form watching his mom and his uncle talking about him while they’re sitting out on the veranda.

I love how Joe is slowly parsing out the information and background of the house. I don’t want to know everything all at once, and he’s not a storyteller that dumps everything on you and doesn’t keep surprises or twists to himself. Things are wild and weird in this series, and I’ve gotten totally wrapped up in the world and the characters.

The monster at the bottom of the wellhouse is going to mean a lot of trouble. I really enjoyed the subtle way Joe and Gabriel revealed her evil nature to the reader through the mirror sequence. That was a grabber once I saw it, and it doesn’t hit you between the eyes. If you’re not paying attention you’ll miss it.

I also like the way that Sam Lesser, one of the teens that killed Rendell, remains a threat to the family. Especially when the monstrous lady at the bottom of the well speaks to him and offers him a key to get out of the sanitarium where he’s being held.

With everything going on, I can’t wait till the next issue. I’m just glad it’s only a month away. If you haven’t picked up this great series, you’re missing out on some groundbreaking horror.

Ghost Whisperer is currently in its third season on television and has a few more new episodes that will air now that the writers’ strike in Hollywood has ended. Produces confirmed in February that the show is returning for a fourth season.

Created by John Gray and based on James Van Praagh’s own experiences as a psychic and medium, the series stars Jennifer Love Hewitt as Melinda Gordon. Melinda operates an antique store and has had to deal with ghosts that appear to her to get messages to their loved ones nearly her whole life.

With the success of the television franchise, IDW Publishing has started a comic book series base on Ghost Whisperer. The first issue is out now and is called “The Haunted.” It’s written by Carrie Smith and Becca Smith and illustrated by Elena Casagrande. The two writers have written scripts for the television show, so it’s no surprise that the issue parallels the movement of an episode perfectly. Elena Casagrande has worked on “Star Trek Alien Spotlight: Orions” so she’s no stranger to tie-in work coming from a television series. Her panels come to life with movement and angles deliberately staged to seduce the eye.

I really liked the opening montage in the coffee shop and appreciate the quick way the story got up and got moving. There’s no stopping to explain things. The writers assume the readers picked up the issue because they’re fans of the show, and that’s not a bad assumption to make.

Three girls, obviously well-to-do, are menaced by a girl ghost that’s about their age. The ghost, Alice Henderson, is angry at them and seeking revenge for her untimely death. Melinda steps in and attempts to intercede, but Alice’s rage knows no bounds. When Alice disappears, though, Melinda is left facing a bird-man dressed all in black.

The way the story progresses so quickly is fantastic. A mere flip of the page brings us to Professor Rick Payne, another regular from the show. Quickly, with great one-liners and snappy patter, Rick brings Melinda up to date on Osiris, the Egyptian God of the Underworld.

Back at the antiques shop, Melinda confers with Delia, her partner, and finds out the name of the dead girl as well as how she died after being hit by a car while crossing the street. Melinda goes back to high school and finds the three girls that had gotten menaced in the coffee shop. The scenes set there are great, and Casagrande’s pencils really showcase what she’s capable of when it comes to establishing an environment. I was impressed with her vision of the high school building.

Melinda goes to see the girls again when she finds out where they’re living, and gets there just as Alice sweeps in for her revenge again. The action scenes and the angles Casagrande takes are marvelous. You can almost shoot the episode from these panels, or at least know how the story would look on television. The writers’ dialogue is spare and lean, and keeps the tale moving at breakneck pace.

When the story is resolved in tried and true fashion that’s become familiar to the regular viewers of the television series, the mystery of Osiris deepens. He doesn’t go away as Melinda had thought. Instead he threatens Melinda directly.

This beginning arc hammers the reader with the same kind of seasonal epic usually carried in the series. I can’t wait till second issue to see what happens next.

In addition to being a bestselling novelist and a noted award-winning short story writer, Joe Hill also happens to be the son of novelist Stephen King. I lead with that and I feel guilty about it at the same time. Hill created his own name in order to create his own identity, and as soon as we found out, we start telling each other. As I said, I feel guilty, but I also know that letting the cat out of the bag, again, will draw more people to this review and hopefully pump up Hill’s sales. He deserves to be read. He has an intriguing mind and a unique way of looking at the dark corners in life.

Despite his paternity, Hill has crafted an existence for himself that’s just starting to take off. His novel, Heart-Shaped Box, leapt onto bestseller lists and latched hold of horror fans’ psyches in wild, delicious ways. His collection of short stories, 20th Century Ghosts, has won the Bram Stoker Award, the British Fantasy Award, and the International Horror Guild Award.

Now, along with artist Gabriel Rodriguez, Hill has staked out the comics medium with a new series called Locke & Key. The launch is a page-turning suspense story full of surprises. According to information that’s been released by IDW Publishing, this is going to be at least a six-issue monthly series. Hill has plans for at 68 issues of Keyhouse.

I really like the idea behind the house and the series. It focuses on kids, and the house has doors they can pass through that will change them. The power of the doors can change their age, their race, and their sex, and has a tendency to push people toward the evil we all carry around inside us.

The first issue is stunning. When I saw the blood-red cover with the old key so prominent, I didn’t at first see the house in the background. Then when I saw the house I couldn’t get it out of my mind. I just sat there for a moment, frozen, thinking about all the possibilities of that key and that house and all those doors. I think that’s what still consumes me about the story.

The story begins quietly, almost innocently, but it quickly turns mean and hard-edged, which is one of the qualities of Hill’s writing. The story picks up with Sam Lesser and Al Grubb, two high school students that were counseled by Tyler Locke’s father, turning up at the Locke house. A single page of simple conversation with Mrs. Locke turns chilling when we see the weapons they’re packing.

On the next page, we get a full-page shot of a man and a woman lying dead in the back of a pickup truck. A bloody tarp barely covers them.

Hill plays with time in this first comic. He leaves us hanging, wanting desperately to turn the pages, but afraid of what we’re going to see at the same time. In four quick panels, we’re introduced to Tyler, Kinsey, and Bode Locke, who are evidently going to be our main characters throughout the comics.

Tyler is the brooding high school teen who resents his dad’s manipulation to get them out to help him paint the summerhouse. Kinsey is a pre-teen girl who seems to be the responsible one. Bode is the ever-curious and ever-daring kid who’s always getting into trouble and exploring. Rodriguez’s art is fantastic and really brings the characters and the environment around them to life while looking simple at the same time.

The panel of Mr. Locke coming home and surprising the teen killers is chilling. Then Hill cuts away to the funeral and we don’t know who’s dead. Afterwards, Tyler sits through unbearable visits from friends who are so disconnected from reality I wanted to scream at them. One guy can only talk about himself. Another can only talk about how famous Tyler is going to be. Writing about real people is one of Hill’s gifts. Apparently illustrating them is one of Rodriguez’s.

While sitting with his Uncle Duncan, Tyler remembers how his father planned for them to go live at Keyhouse if anything ever happened to him. Hill’s script is an economy of language. Every panel moves the story along and provides information as well as emotion. Rodriguez makes them all beautiful to look at.

Then the story plunges back to the day of the murders, when the teen killers were inside the Locke summer home. The next few pages are full of tension, suspense, and thrill-a-second pacing that had me flipping pages like a madman. The story turns chilling, then cuts off again, leaving me hanging once more. You know that Tyler survives, but you don’t know if anyone else does.

The next sequence introduces Keyhouse, and the layout of the grounds, the fact that it’s on a peninsula cut off from civilization, is at once intriguing. I know that the distance away from a populated area is going to be trouble.

Once the exploration of the house begins, which I was dying to see, Hill moves us back to the past again. The graphic panels Rodriguez presents had me once more hanging on as what happened that day of the killings is finally played out. It’s brutal and vicious, but that’s the only way it could have happened.

The true weirdness descends on the story in the next few pages. Bode is off exploring the weird house all on his own when he has an out-of-body-experience. And we learn that Sam Lesser, one of the teen killers, is still alive in juvenile lockup. Not only that, but he’s talking to a mysterious entity he can see in a sink full of water.

I’m totally jacked about this series. I think it’s going to be great. I can’t believe Hill decided to do it as a comic book instead of a novel, but in an interview I read he said he’d just always envisioned it as a comic book.

I love Rodriguez’s art, so that’s a bonus in addition to a great, macabre story with plenty of mystery and suspense. But the waiting over the next five months is going to test me to my limits. I expect I’m going to be daydreaming – or having nightmares – about Keyhouse and what’s really going on for some time now. If you’re a comics fan or a horror fan or a Joe Hill fan, you gotta check this one out.

In his latest book, Diary of a Wimpy Kid: Rodrick Rules, Jeff Kinney nearly put me into the hospital. That man is going to have serious medical bills to pay if this keeps up. I almost busted a gut laughing out loud and almost aspirated my Diet Dr Pepper on a few occasions. And, yes, I hold him completely responsible.

If not for Kinney’s dry wit, keen insight into the lives of elementary school boys (especially their rationalization for EVERYTHING), and fantastic line drawing on nearly every page, I wouldn’t have had so many close brushes with death in his latest book. But he put me there time and time again. Even when I thought I had things figured out (because I was once an elementary school boy with a wild imagination without a governor), Jeff would throw a wrinkle at me that I didn’t see coming. He ambushed me with regularity throughout the pages.

But it’s not just me that Jeff has his merciless sights on. He’s taking out EVERYBODY. My wife teaches elementary school and Jeff’s books are all the rage among the students. I have to admit to adding to that bonfire because I talk about his books all the time (and I have to admit that I haven’t quite become the responsible adult either, because I’ll rile my wife’s fourth grade class up and take my leave—taking her out to dinner usually gets me off the hook and my cool points go up with the kids).

Parents have become interested in the books and I’ve told them they need to keep up with what their kids are reading. After all, they’re supposed to be responsible parents. (I, myself, have been known to buy extra copies of Jeff’s books and give out as gifts – some parents have accused me of inciting subversion, but I point out that Jeff’s first book was a New York Times bestseller and that is a far better recommendation than I could ever make. Except the Times doesn’t give away Jeff’s books as gifts that I know of. That’s why they hold me more accountable.)

But when I recommend the books to parents, I issue a stern warning. I call it the PYP warning. I especially give it to pregnant mothers and people with weak bladders who read in public places. PYP is Pee Your Pants. The books are just that funny. You’re reading along, and the next thing you know, WHAM! — you’re laughing so hard you’re peeing your pants.

The funniest thing about Jeff’s humor, and the life of his main character, Greg Heffley, is that everything in the book COULD BE COMPLETELY TRUE. Speaking from experience, a lot of what’s between those pages has been true. But I’m not going to incriminate myself now when I got away with those things all those years ago. And there should be some kind of time statute on most of them. I still don’t want my mom to know, however.

Greg is THE man when it comes to taking a boring day and turning it upside down. People who underestimate the creativity of a bored child are simply asking for trouble. Nuclear war pales by comparison.

And Greg has an excuse – or a rationalization – for everything he does. Worse than that, half the time I get sucked in and totally buy into his point of view. Because, upon occasion, that point of view has been mine as well (or at least my defense). That’s where Jeff’s magic truly lies: he’s never lost touch with his inner child. And boy, his wife must be mad and his kids must be terrified!

In this second book, I was totally blown away yet again. Greg is a middle kid, which means that his life is made miserable from both ends of the spectrum – from his older brother Rodrick and his younger brother Manny. Rodrick is the sulky teen with a band called Loded Diper. And their music stinks, so they’re appropriately named. Manny is three and gets into all of Greg’s stuff.

I love how Jeff sets something up in the books and continues to play off of it at appropriate times. His sense of pacing is fantastic. The work of “art” Manny creates out of toothpicks and aluminum foil is great, and I’ve seen that done, actually. Greg’s mom tells Greg he should keep it around and he does – until it impales Greg’s semi-best friend Rowley.

Another sequence in the book focuses on Greg’s ringleader abilities. Kids will follow anyone with a semi-great idea. Or at least one that will bring pain or embarrassment to another kid. See, Greg is NOT hero material. At least, not yet. He does show some potential, but it’s really far into the future.

One of those ideas involved making believe one of the other kids didn’t exist. Following Greg’s lead, the rest of the class pretends the kid doesn’t exist so much that Greg gets called into the principal’s office, then gets read the riot act by his parents.

I loved when Greg gets involved in the role-playing game Magic and Monsters and his mom becomes concerned. She decides to show up and play with them. And her rules don’t involve all the violence and bloodshed all the kids are used to enjoying. Worst of all, some of Greg’s friends start liking the way his mom plays!

Another instance is when the parents leave for a weekend trip and put Rodrick in charge. They’re no sooner gone than Rodrick is on the phone calling people over for a party. Madness ensues. A door gets painted with permanent marker. Rodrick gets Greg to help him change out doors so the parents don’t find out. Later, when they’re punished, Rodrick says he’s going to study the effects of decompression of the spine suffered by astronauts during prolonged weightlessness. He does this by sacking out on the couch and sleeping all the time while he’s grounded.

If you want, you can even read the books for free on the internet. Just go to Funbrain-dot-com to read them. One of the most interesting things about Jeff’s books is that they’re given away for free and STILL sold enough to make it to the top of the New York Times bestseller list.

You see, Jeff wants everyone to read his books that wants to. However, kids want books they can hold in their hands, share with friends, and put on a shelf. Plus, it’s kind of hard to take your computer and internet along when you’re stuck in the car on a family trip or out with a parent at a doctor’s appointment or a shopping spree.

One of the best features about Jeff’s books after you put them in your kids’ hands is that you don’t have to worry about batteries going dead. They’re kid powered: fueled by imagination and driven by humor. They’re good for the environment. Except for that whole PYP warning.

Jeff’s books are hilarious. I just can’t recommend them enough. Call me subversive if you want.

 

 

There’s nothing that says CHRISTMAS like a pop-up book. I have become a believer.

I’ve loved the idea of pop-up books since they first came out. They tend to be expensive, but the writer in me can’t help but be curious how they’re made. The process has got to be a nightmare. Nothing at all like slinging a little black ink on a white page.

Pop-up books come in amazing colors, AND they have all those wonderful manipulatives that draw young eyes, hands, and minds (and those of us that are a smidge older as well).

Chuck Fischer is an artist who specializes in designs. He’s created wall murals, patterns for china and crystal, as well as wallpaper and printed fabric. He’s also created four pop-up books. One covered eight of the fifty states, another covered the White House, and there was one that centered on Christmas in New York.

Christmas Around the World is his latest foray into the pop-up book world, and it is a magnificent display of artistry and engineering. In these books authors really can’t work without pulling skills from both those professions.

In twelve fantastically colored pages, Fischer manages to take his readers around the world, just as the title promises. The tour includes England, Rome, Germany, France, Russia, and the United States. I was blown away by how tall the various displays stood up from the pages.

A lot of information is included in the booklets that accompany the pages, and youngsters of all ages will gather around to hear all the details and lore of Santa Claus in these different lands.

If you can get a copy of this book to give as a Christmas gift this year, you’re going to have a wonderful family present to give. If not this year, then I’d suggest picking it up for next year. When the tree goes up, this book should be tucked beneath it for anyone to peruse, or placed on a nearby coffee table for guests and kids to meander through.

Christmas Around the World has a good chance of becoming as much a family tradition as hanging lights, putting up the tree, and shaking the presents.

Meg Cabot is a high profile author whose books have gone on to become movies and television shows. Her series include The Mediator, 1-800-Where-R-You (which became the television show, MISSING), The Princess Diaries (which became movies of the same name), and others as well as many stand-alone books of romance and humor.

Avalon High was originally a stand-alone title but was picked by TokyoPop to become a 3-volume graphic novel series. The book is also in development with Disney to become a live-action film.

The story is very familiar, culled from the Arthurian mythos and brought into the high school arena. Arthur is now known as Will, and he quickly becomes the boyfriend of Elle, who is basically the character of the Lady of Shalott. All of the other Arthurian legends are represented as well: Merlin, Lancelot, Guinevere, Modred, and Morgan Le Fey.

Jinky Coronado’s black and white drawings are a pleasure to view and up the frenzied pace of the book. Coronado blends the pure manga stylings with current, popular comic book art that creates an interesting hybrid on the pages. The sequential action draws the eye naturally. Several of the panels kept drawing my attention back to them because they were so well done.

Cabot’s story is pretty straightforward and simple. King Arthur has been reborn once more, but that means his enemies have also been reborn. The main problem: according to Mr. Morton (Elle’s history teacher and very probably Merlin the wizard), Will Wagner must recognize and accept himself as the rebirth of Arthur. That’s not going to be an easy feat because Will is certain he knows who he is. And he has to do it within a few weeks or the world will be destroyed.

The impending destruction of the world is such an easy thing to lay on teenagers! But Elle is quickly off and running as she tries to deal with being the new girl in school, being Will’s girlfriend, and dealing with the enemies they have separately as well as together. Morgan in particular doesn’t care for Elle.

Unfortunately, the first third of the graphic novel is more or less a summary of things that have gone on before. This choice really impedes the story for a while, and it takes up so many pages that by the time the tale gets underway, it’s practically over. Still, the cliffhanger ending should bring readers back around for a do-over.

I’m looking forward to reading the other two volumes in the series, as well as handing it off to friends of mine who are heavily into graphic novels. But now I have to go back and read the book as well, because I somehow missed that one. And I’m going to be interested in the upcoming movie as well.

If you want light, easy entertainment with some extended value (or at least something you can share with other and talk about quickly), Cabot’s new manga series is a good choice. It’s not as far out there as some of the Japanese manga, and it’s a great size to throw in a backpack or back pocket for on-the-road reading.

 

Diary of a Wimpy Kid just made my list of Top 10 Books of 2007. After listening to my fourth grader rave about the book, which he found on the internet of all places because it’s been published there, I ordered a hardcover edition of the book. I know that kids who find a book they love will read it over and over again, and the choice as a parent is whether to buy it in hardcover or buy it in paperback over and over. Since paperbacks don’t always stay in print and hardcovers sometimes appreciate dramatically in price, I opted for the hardcover copy.

It came in today. My son sat down with it immediately. Even though he’d read the whole book on the internet, he loved the idea of being able to hold it in his hands. He flipped through the pages and made certain all his favorite jokes were still in place, which was amusing to watch because I’ve done the same thing.

One of the amazing things I’ve learned since is that the whole book is available on the internet. You can find it at www.wimpykid.com. Feel free to preview the whole book if you like, the author has generously placed it there, but it’s gone on to be a #1 seller in hardcover and paperback all the same. Free on the internet is one thing, but books and portability are best.

Since most of the television shows my wife and I watch on Friday nights were suspended or repeats and I needed a mental vacation after the stress of pounding the keyboard all day, I picked up Diary of a Wimpy Kid and started turning pages. I didn’t stop till I’d devoured the last page.

The book is a flat-out laugh riot from page one to page 217. With pencil drawings that look like they were made by an early elementary school student, it was also an incredibly fast read.

The story is about Greg Heffley, which is kind of like Jeff Kinney if you look at it right. Greg’s in sixth grade and isn’t exactly a social butterfly or even much accepted by the other kids. In fact, he’s lucky if they notice he’s alive.

Greg’s got a regular mom and dad, but Jeff Kinney paints them so vividly with just little details that you can’t help feeling you know these people. His dad has a violent streak when it comes to punishing Greg on the spot. Greg even points out when there are good times to screw up and bad times to screw up. Hint: a good time is when his dad is reading the paper; a bad time is when his dad is building a brick wall. Line drawings accompany this. Greg’s also got an older and younger brother that helps drive him crazy at home. The younger brother, Manny, doesn’t really speak, but he’s into everything.

Greg’s older brother, Rodrick, has his own band and generally stays out of Greg’s life. However, the relationship between the two comes to the forefront every now and again. Rodrick doesn’t mind putting something over on Greg or making him look bad.

The things that make this book work the most, and kept me turning pages, are Greg’s insights on life. He’s not a good kid. He’s not a bad kid either. He’s just a kid. One part scared, one part “that’s not fair”, and one part selfish. It’s the selfish part of Greg that brings about observations about popularity, such as his acknowledgement that he’s number fifty-something popular among the boys, but he’s due to move up a spot because one of the other boys is about to get braces.

His efforts to get out of trouble without having to actually take responsibility for his actions are amazingly dead-on for the age group Kinney is writing about. The fact that Greg’s unwilling to give up trick or treating is good. The touchstones of elementary school life, like the Cheese that’s haunted the outdoor basketball court for a year and gave birth to the Cheese Touch myth that actually ended up making one kid movie way, are here as well.

There are literally hundreds of reasons to buy this book. Number one is that it is the perfect gift for kids who are reluctant readers. Christmas is upon us. Kids are going to be thrown in cars for trips to see relatives, and this book will guarantee some quiet time – except for snickers and outright belly laughs.

I had an absolute blast with it. Before I knew it, I was committing the unpardonable sin of reading sections aloud to my wife while she was watching television. Normally I enforce that one to keep my own television watching manageable. However, I was soon that guy. The book is just too good not to share, so here I am sharing it with you.

Do your kid a favor and go buy the book. But make time to read it yourself. This is one that I think a lot of people will read and tell friends about. Then mark February 2008 down as the release month of the second book, Diary of A Wimpy Kid: Rodrick Rules. I’ve already got mine on order.

Until Nickelodeon decided to revamp and update the children’s world in 1991, parents had no problem keeping up with their kids’ cartoon experiences. After all, Bug Bunny and Daffy Duck, the Flintstones, and Scooby-Doo (in so many incarnations) were all staples of a kid’s fantasy world.

As hectic as the world is for a parent, it’s hard to keep up with what shows they’ve watched or are watching when they’re growing up. Sad to say, television cartoons have served as babysitters and best friends for kids for decades.

However, Nickelodeon changed the package when they released Doug, Rugrats, and The Ren and Stimpy Show. Questionable content began to invade American living rooms and kids’ bedrooms in subtle ways. Doug and Rugrats tended to be wholesome fare – though with strange ideas at times.

But there was just no excusing Ren and Stimpy’s behavior. They were gross and inelegant at best, and downright disgusting and offensive at worst. However, your kids thought they were hilarious. If you sat down and watched part of an episode with them, you’d swear they were way too young to be caught up in something as crass as that.

You’d probably be halfway right. But Nickelodeon took the stance that kids were a lot more intelligent – and socially inelegant – than most parents wanted to believe. So they created entertainment that took all those facets into account.

And man, what a whirlwind it’s been these past 16 years. My oldest son turns 25 soon, and my youngest is 10. I had five kids, and Nickelodeon has been a constant feature in my house from the beginning.

The problem with having kids, though, is that you have to work to provide for them. And to provide cable TV. So even though I tried to get in front of the TV to check out what they were watching, I couldn’t do it often enough. I watched some of the Nicktoons (as they came to be called) but not all of them because I didn’t have time.

Thankfully there’s a book out now that will catch you up almost overnight with the thirty cartoon that have and are airing on Nickelodeon. Jerry Beck’s (author of The Hanna-Barbera Treasury and The Art of Bee Movie and other works concentrating on the cartoon pays much you’)monstrous compendium is kid-intelligent and adult-friendly, and it’s heavy and sturdy enough to use as a shield or as a weapon. Not only that, but it was produced with the full support and cooperation of Nicktoons.

When I first pulled the book out of the box, I thought some had gone badly wrong. The book felt…squishy. I let go in a hurry and decided to finish opening the box to have a better look. Then I realized that the book was covered in green slime, another trademark of the network.

Just like a kid, I couldn’t help mashing on the slime book cover to see what I could change and see how long it would retain the impressions I made. It was great fun. If you really want to get a strange reaction from another adult, just hand them the book without warning. The first time they close their fingers in slime, they’re going to freak – and be instantly interested.

Once I opened the book, I was even more impressed. The table of contents is set up with icons of the television shows. One of the games you can play as an adult is try to identify the series from the icon, then open the book to that page to find out if you were right. I got more of them right than I thought I would.

The sections on the cartoons are adult-friendly too. There’s not a whole lot of reading to be done to get up to speed on what the cartoon series was. Background and creative spark, as well as the names of the writers and or directors, are wrapped up in easy-to-read chunks. The artwork is absolutely beautiful, gleaned from storyboards and character concepts all the way up to finished presentations.

While I was reading through the book, picking out my favorite cartoons first (like Doug, Rugrats, The Angry Beavers, Danny Fantom, and Hey Arnold), my ten-year-old dropped in, saw what I was reading, and snuggled into the couch next to me. Then he started telling me what he knew about the characters, favorite episodes, favorite comic bits, and when it was going to be on again, if that was the case. There are unexpected benefits that come from owning this book. And, unlike the television episodes, the book can be turned on at any time.

There’s not a whole lot of reading here to be done, which should be encouraging to you as an adult, because I’m sure your lives haven’t slowed down any more than mine have, but there are a ton of pictures and graphic media. If you don’t think there’s a ton there, try holding this book straight out from your body in one hand!

Not Just Cartoons: Nicktoon! is an amazing compilation of info regarding these shows. The beauty of it is the book makes a great Christmas present (maybe not so much a stocking stuffer) for a kid or an uninformed adult on your list that doesn’t know about Nicktoons but has children. Pick up the book and wander back through the history of your child’s imagination and excitement.

Although the author and illustrator say their graphic novel is a political satire that extrapolates current events regarding the Iraqi War, the Mexican immigration issue, and emerging technology as well as a healthy dose of politics, Shooting War is also a wonderfully compelling read. I was blown away by the storyline, the art, and the voice that comes from the material. I was also completely surprised by the appearance of news anchor Dan Rather and his hefty part in the graphic novel’s plot and action.

Lappe and Goldman obviously know their material and believe in their message. They don’t hold back and reach out viciously to grab the reader by the hair of the head and drag them through the harsh world they’ve created. I’d read a preview of the graphic novel almost three months ago, but even that failed to prepare me for the emotional and thought-provoking odyssey I was embarking on when I first began to turn pages.

The book actually started out as an on-line comic. Lappe had written a nonfiction book, True Lies, with Stephen Marshall that focused on the disservice they believe the media is doing to the American people. Lappe is also the executive editor of GNN (Guerilla News Network), has written for a number of magazines and other media, and was the producer of the Showtime documentary about Iraq: Battleground: 21 Days on the Empire’s Edge.

Goldman writes and draws the strip, Kelly, for www.act-i-vate.com and co-authored the graphic novel, Everyman: Be the People. His art is the result of a mixed media effort.

I liked the character of Jimmy Burns from the opening pages. He’s just a big kid with a new toy, a wireless camera that allows him to video-blog from anywhere there’s an internet connection. I liked his innocence, but I knew it was going to be blown out like a candle flame before the story ran its course.

In just the first few pages, Jimmy happens to be on-hand in front of a Starbucks (and you have to love the way iconic features of today’s popular culture are used and destroyed in the book) where a terrorist bomb explodes. The building, including Jimmy’s apartment, is destroyed and several people are killed. Almost overcome by the horror around him, Jimmy keeps talking into the video camera. But I got the impression that it was because he was freaked and wanted to share what was going on with someone else more than just to present a breaking news story.

Jimmy’s transmission gets seized by a local network and pumped into an international grid where the world watches. In just a couple of pages, Jimmy gets hired by Global News, the television station that hijacked his video upload, as a troubleshooter, a reporter who’s going to be in the middle of all the world’s hotspots.

Before Jimmy knows it, he’s launched into the middle of the Iraqi War. Since, in the book, it’s the year 2011, there are a lot of changes. Sadly, which is one of the messages of the book, many things remain the same.

Goldman’s art is beautiful. He overlays comics-style drawing over real photographs of places and events. The explosions are frozen, destructive poetry that draw the eye. The faces, though loosely drawn, convey strong emotions. He uses color like a weapon, subtle when he wants to stay out of the way of the reader and a barrage of attacks when he moves into a full assault on the reader’s senses.

In addition to writing a terrific plot that’s ripped from today’s headlines and giving us characters we all know and understand, Lappe also designs link titles for Jimmy’s webpage and magazine covers that are hilarious! Check out: Tom Cruise and Mary-Kate Olsen Call It Quits and let your imagination run wild.

Even though the grim material is salted with humor, Lappe and Goldman never step completely out of the darkness. The execution of a “traitor” at the hands of Abu Adallah and the Sword of Mohammed is horribly bloody business, callous and cruel.

Another aspect I truly enjoyed about the book was the use of technology. It’s not going to go away and it will continue to change our lives on a daily basis in small and large ways. Shooting War uses the emerging tech constantly, whether it’s on the handheld camera Jimmy uses or the PDAs or wallscreens on the sides of buildings. The military hardware also gets a lot of play, the older stuff as well as the newer defensive and offensive hardware.

One of the best examples of the emerging technology is the image of the recon and search and rescue teams. The blue faceplate glows and looks like a cross, making them look like instruments of some divine justice.

The authors are merciless in their views on the war. They bring in a lot of information about other freedom leaders, and point out when the United States aligned themselves with those leaders and when they didn’t. Again, all of this information came from today’s and recent headlines.

The scene where the United States soldiers get attacked and inadvertently shoot and kill a small boy is heart-wrenching to read. You can’t read stuff like this and not think of what’s going on over in the war. Innocents (and innocence) are being lost on both sides, and you can understand why people who would normally not take issue with occupying forces or domestic rebels, but how they are sometimes forced to.

I loved Dan Rather’s presence in the book, and I have to wonder how the authors and publisher got him to agree to be presented with such a strong opinion on the war and the presidency. The line between fiction and non-fiction, reality and possibility, is definitely blurred at this point, and during several others.

Shooting War has a definite slant on the war and the American presidency, as well as politics. A lot of people aren’t going to agree with everything in this book. That’s all right. I feel the authors were really provoking their readers into at least thinking something, and feeling it as well.

And if you decide to leave politics out of the entertainment, I feel you’ll be thrilled with the story that’s drawn, rendered, and written so eloquently between the pages. Shooting War is a terrific read with enough tension to keep you nailed to the pages till you finish. Even without the political statements, readers are going to feel the rush of fear, the despair of failure, and the allure of triumph.